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1/26/2016 Doctoral Qualifying Exam (AKA 18-Hour Exam) Forum Minutes

February 3, 2016

The forum was held to give bewildered new PhD students the benefit of the experience of students who took the above-named exam last fall (the first time it was given).

 

DISCLAIMER: These notes in no way represent official policy, requirements, standards, or advice. (As yet there is no official policy, etc.)

 

The Process

 

The following information is published on the UTD A&H site at http://www.utdallas.edu/ah/programs/graduate/humaqualifyingexamination.html (please check the site for updates):

 

 

PROCEDURE FOR HUMA DOCTORAL QUALIFYING EXAMINATION

Effective Fall 2015 we are instituting a qualifying examination early in doctoral study as a way of ensuring timely progress toward the doctoral degree. Students take the qualifying examination in the middle of the semester in which they will complete their first 18 hours of doctoral coursework applicable to the degree plan.

The examination is composed of two parts:

PART I: Compile an annotated bibliography of ten to twenty items on a topic from the list supplied by the Associate Dean for Graduate Studies. Your bibliography must be substantially free of typographical and mechanical errors and should follow the guidelines set by a major bibliographic research guide; your bibliography must identify the guide used.

PART II: In a short essay, explain two concepts separately (1250 words each, not including bibliography) from the list supplied by the Associate Dean of Graduate Studies. Your essay should be substantially free of grammatical and mechanical errors, and any citations should follow the guidelines set by a major research guide, which should be identified at the end of your essay.

Students will have three business days to complete both parts of the exam and return it to the Graduate Coordinator. Student may begin the examination at 10:00 am on Monday or Tuesday only. All examinations will be submitted to turnitin.com.

Completed exams will be evaluated independently on a pass/fail basis by two faculty members. In the event that the evaluations do not concur, the exam will go to a third faculty member for a decision. Students will receive the final evaluation within one week of taking the exam. At the discretion of the evaluators, student may be permitted to take all or part of the examination a second time within the semester. A third attempt is not allowed.

 

In the experience of the first exam takers, this description is mostly true. Because the exam was given late in the semester, those who failed were not able to retake it in the same semester. And although the information above says that students will get their results “within one week of taking the exam,” the students who took it in the fall were told to expect results in “4-6 weeks.” Note that you are not officially a PhD student until you pass this exam.

 

What You Get

 

The email Alice sent out last semester to students taking the exam reproduces the instructions given in Part I and Part II of the explanation from the website. You must respond to the email to confirm that you have received it. The email also includes the time and date the exam documents are due; for example:

 

No later than Thursday at 10:00 a.m. please send an attached Microsoft word document to me. I will confirm receipt. You will be notified of the results of your examination by email and also mailed a memo. Please use only your UTD email account. If you have any questions, please email or contact me at 972-883-2756.

 

Attached to the email are two lists of concepts you may write on. Part I contains concepts for the bibliography; Part II contains concepts for the essays. The following lists were used in the fall 2015 exam. (Note that Part II describes the essay as a single 2500-word essay on two concepts. We expect that the instructions will be updated to reflect the current explanation on the web site: two 1250-word essays on two concepts. Also, Part II instructs you to “identify the questions answered.” There are no “questions” as such. We understand this to mean that you must identify the concepts you are writing about in the essay titles and/or the introductory paragraphs.)

 

Part I: Compile an annotated bibliography of ten to twenty items on one topic from the list below. Your bibliography should be substantially free of typographical and mechanical errors and should follow the guidelines set by a major bibliographic research guide. Please identify the topic answered and additionally identify the research guide used at the end of your essay. The A&H office will submit your completed exam into turnitin.com.

HUAS:

  •  NATURE AND HISTORY OF PERFORMANCE WITHIN A PERIOD OF YOUR CHOICE

 TEXTURE AS A MUSICAL ELEMENT

 

  • HUHI:
  •  THE ROLES OF VALUES IN SCIENCE
  •  THE IDEA OF BILDUNG
  • HUSL:
  •  THEORY OF WORLD LITERATURE
  •  MODERNISM (WHAT IS IT?)

 

Part II: In a short essay (2500 words minimum), explain any two concepts from the list below. Concepts can be combined from two different areas. Your essay should be substantially free of grammatical and mechanical errors, and any citations should follow the guidelines set by a major research guide. Please identify the questions answered and additionally identify the research guide used at the end of your essay. The A&H office will submit your completed exam into turnitin.com.

 

  • HUAS:
  •  ART OF PERFORMANCE IN THE 20TH AND 21ST CENTURIES
  •  REFLECTIONS ON PERFORMANCE FROM THE GREEKS TO MODERN TIMES
  •  HOMOPHONY & POLYPHONY
  •  MONOPHONY
  • HUHI:
  •  THEORIES OF TRUTH
  •  SOCIAL JUSTICE
  •  HERMENEUTICS
  •  DECONSTRUCTION
  • HUSL:
  •  IRONY
  •  UNTRANSLATABILITY
  •  AMERICAN LITERATURE OF WWII
  •  STEINBECK VS. HEMINGWAY IN THE SECOND HALF OF THE 1930s

 

Each time the exam is given, two professors from each discipline (HUAS, HUHI, and HUSL) are asked to contribute “concepts” to the list and to grade some of the exams (though not necessarily exams that address the concepts they chose). In each discipline, the graders are chosen in alphabetical order by last name, which may be helpful if you know where the selection order stands when you are ready to take the exam. As the concept list demonstrates, the professors were given no guidance as to the scope of a “concept”; most are very broad, a few are very specific.

 

FAQ

 

(Because much of the information that was shared in the forum consisted of questions and answers, we’re going to stick to that format.)

 

Q: Who can I ask if I have questions about the exam instructions or concepts?

A: The exam email will come from Alice with a copy to Dr. Gooch, and you can email her back as many times as necessary for clarification about the process, format, etc. Keep all your correspondence, of course.

 

Q: Does everyone get the same list of concepts in the exam email?

A: Yes.

 

Q: Can we ask the professor who provided a particular concept what she/he is expecting? Or Dr. Gooch?

A: No. You will not know who provided the concept, and that professor will not know whose exam she/he is grading. Dr. Gooch is not involved in the grading.

 

Q: So we don’t get a specific question or prompt to write to, just a “concept”?

A: That is correct.

 

Q: Did anyone fail?

A: Yes. Nine students took the exam last fall, and we have heard that either 4 or 5 failed at least one part of the exam. (Note: A student who passed and a student who failed one section both attended the forum to share their experiences.)

 

Q: Why?

A: Most people seemed to have passed the annotated bibliography section, though at least one student was failed by at least one grader for using non-academic sources. The reasons for failing the essay portion included incoherent writing, getting an historical event wrong, faulty or overly broad claims, and citing oneself as a source.

Recommendations: Use academic sources—stick to peer-reviewed journals and books published by university presses or by major publishers of academic books (for example, Palgrave or Routledge) if you are unsure what this means.

 

Q: Does the administration have any plans to publish standards or requirements for passing this exam?

A: Unknown. It is possible that they may develop some in the future, but any proposed standards would have to go first to the GSC and then be voted on by the faculty before being implemented.

 

Q: How long should each annotation be?

A: Our best guess is at least 100 words. There are many guidelines online and in research format guides for creating an annotated bibliography. Generally, you should identify the author’s argument and evidence, the scope of the work, its audience, relevancy, and approach. You can also include a brief quotation from the work if it is particularly apt.

 

Q: How can I read 10 books in one day? Or should I stick to articles?

Recommendation: One student who took the exam used only books. If you use books, read the introduction and maybe the first and last pages of each chapter, and the conclusion if there is one. You can also look for book reviews, but be very careful not to plagiarize them. Scholarly articles are fine, too. Those with abstracts will help you get the gist more quickly.

 

Q: What format should I use?

A: Use the format you are most familiar with (for example, Turabian, Chicago, or MLA), and be sure to note the format that you used in one line at the end of your bibliography and your essay.

 

Q: So the essay portion is actually two 1250-word essays on two different concepts, but stuck together in one paper?

A: Yes. A student who passed used a centered row of asterisks (* * *) to separate the two essays and combined the bibliographies for the two essays into one. If the instructions this time allow you to submit two different files (one per essay), provide the relevant bibliography with each (obviously).

 

Q: How many bibliographic sources do I need for the essays?

A: An average of one source per page was accepted in the first exam.

 

Q: What if I don’t know anything about any of the concepts?

A: You won’t be alone. Think in terms of shortcuts: use Google and Wikipedia to get information, but don’t quote them. Other recommendations were to use reference works like The Bedford Glossary of Critical and Literary Terms and the Stanford Encyclopedia of Philosophy for overviews of particular concepts.

 

Q: Do I have to work up an argument for each essay?

A: Not unless you have the necessary expertise in the concept. A student who passed suggested that you approach the essay as though you were teaching it to a class of undergrads. It’s impossible to know what individual graders are looking for, but if you are able to coherently express a broad understanding of the concept, write clear thesis statements, and use logical transitions between paragraphs, you should be fine.

 

Q: What should I use for a header on my papers?

A: Put your name, Spring 2016 Qualifying Exam, and the date in your header (unless you get instructions to do otherwise).

 

 

Other Recommendations

 

  • Manage your time! Plan to devote one entire day to each of the three parts.
  • Clear the week (or at least the days) of the exam. Skip your own classes. Get a sub if you are a TA. If you have work due in a class, ask for an extension.
  • Start with the part you think will be the easiest (for most students, the annotated bibliography).
  • A student who passed recommended alternating work on the two essays over two days to ensure that both are of about the same quality.
  • Use block quotations in your essays. In fact, one student’s strategy was to identify the most relevant block quotes from each source first and structure the essay around them. (Be strategic—it shouldn’t be obvious that you are using the quotes just to pad the word count.)
  • If your experience during the exam is different from what we have described here, or if you think of additional helpful tips, please email the GSA. Talk to each other! Shared information is incredibly helpful in navigating the UTD graduate program.

Minutes from General Meeting (01/21/2016)

January 25, 2016

(as transcribed by Teri)

Meeting was held in the Ackerman Center at 5:00 pm.

Center for Teaching and Learning

Dr. Starnaman talked about the new Center for Teaching and Learning, where she represents the A&H department. The Center offers (among other services) both a regular and an advanced graduate teaching certificate to TAs who have completed a series of requirements attesting to their training and experience in pedagogy. These certificates will be helpful to grad students applying for teaching positions at community colleges.

The certificate requirements include completion of several developmental workshops, and Dr. Starnaman is preparing one on syllabus writing for non-rhet TAs. She asked for suggestions for additional workshops, and Merry asked for one on dealing with difficult (i.e., aggressive) students and for students with disabilities. Anyone with other suggestions/requests should contact Dr. Starnaman.

Also, graduate students who have worked as TAs here can retroactively apply their teaching experience to the requirements for the teaching certificate.

Finally, Dr. Starnaman encouraged students to attend one of the workshops on teaching writing given by Dr. George Gopen on 1/28 and 1/29. The student workshop on 1/28 is full, but grad students may attend the faculty session on 1/29 if seats are available.

 

Student Assessments

Dr. Catherine Parsoneault, our new Assistant Dean of Assessments, joined the meeting to tell us what she does. Dr. Parsoneault holds a Ph.D. in historical musicology from The University of Texas at Austin, and she came to us from Texas Tech, where she was also the university’s assessment officer.

The goal of assessment is to figure out how to improve learning for both undergrad and graduates students. It encompasses more than just figuring out what to do to stay accredited, though that’s how a university usually starts the process. Although grades are one of the more obvious tools for assessment, they in fact do not always accurately reflect what students have learned. Dr. Parsoneault gave us a brief overview of how to create better assessment tools. She also noted that there are objectives for our degree programs, although faculty doesn’t always know this (and ironically, they should be the ones setting these objectives).

The UTD office of assessment will hold a workshop on assessing learning outcomes on Wednesday, 2/10, at 10:00 am in MC 2.410. This workshop is for anyone who teaches—old and new faculty, adjuncts, and TAs. Dr. Parsoneault will see if she can coordinate with the Center for Teaching and Learning to ensure that attendance at the assessment workshop counts toward the teaching certificate.

 

18-Hour Exam Workshop

Everyone was reminded that the completely unofficial workshop on the 18-hour exam will be held on Tuesday, 2/25, in Room 4.614 at 5:00 pm. Because not all students facing the exam are able to attend, I have promised to take and distribute notes.

 

RAW Extended Deadline!!!

December 19, 2015

https://utdgsa.files.wordpress.com/2014/10/raw-high-res-no-date-tspt.png?w=411&h=262

University of Texas at Dallas

Arts & Humanities Graduate Student Association

utd.gsa@gmail.com

March 4th and March 5th, 2016

Keynote: Dr. Sandy Stone

 

We still have some openings available for the 2016 RAW, so we’ve decided to extend the deadline for submissions until December 28th, 2015. Please send all submissions and/or questions to utd.gsa@gmail.com

 

RAW 2016 CFP

November 2, 2015

https://utdgsa.files.wordpress.com/2014/10/raw-high-res-no-date-tspt.png?w=411&h=262
University of Texas at Dallas

Arts & Humanities Graduate Student Association

utd.gsa@gmail.com

March 4th and March 5th, 2016

Keynote: Dr. Sandy Stone

Theme: The Humanities and Social Justice

Submission Deadline: December 18th, 2015

The Arts & Humanities Graduate Student Association of the University of Texas at Dallas will hold its eighth annual RAW: Research, Art, Writing Graduate Symposium on March 4th and 5th at the UT Dallas campus in Richardson, TX. Organized by and for graduate students, RAW offers students from around the country the opportunity to share their work and ideas with peers across the humanistic disciplines.

Despite a growing rhetoric to the contrary, the humanities have never been more important. The perpetuation of systemic oppressions—poverty, anti-gay violence and legislation, sexism, police brutality, racism, and militarization—has generated social unrest throughout the world. The theme of this year’s RAW, “The Humanities and Social Justice,” focuses on scholarly efforts in all humanities-related fields to address the institutional marginalizations that have inspired activist movements. RAW is dedicated to amplifying the voices of all graduate students within the humanities; regardless of the theme, we will accept papers or panels from any academic focus or discipline as long as it connects with the humanities.

This year we are proud to welcome Dr. Sandy Stone as our keynote speaker. For over thirty years, Dr. Stone’s writings on critical theory and media, along with art that conceptualizes the relationship between technology and identity, have combined the intense rigor of academic work with an investment in the lives and well-being of marginalized people. In 1979, her foundational text, “The Empire Strikes Back: A Post-Transsexual Manifesto,” helped create space for Transgendered Studies and other academic fields of inquiry dedicated to exploring the realities of marginalized groups from their own perspectives. The founding director of the ACTLab at the University of Texas at Austin, Dr. Stone exemplifies the interdisciplinary spirit at the heart of the A&H program at UT Dallas and the RAW Graduate Symposium.

Each interested participant may submit one 200-word abstract for a 15-minute individual presentation and/or one submission of a full panel that includes three to four individual presentations. There are no limitations on topic, field, genre, or methodology.

Submissions may include, but are not limited to:

  • excerpt of an M.A. paper or thesis
  • excerpt of a seminar paper
  • excerpt from a dissertation
  • animation, video, or film projects
  • excerpt from a novel, play, or short story
  • M.F.A. final project
  • selection of poetry
  • dance or other performance piece
  • art work (paintings, ceramics, drawings, etc.)
  • games

Proposals are due by December 18, 2015. All proposals must include the following:

  • A complete mailing address, e-mail address, phone number, field, and affiliation of participant
  • An abstract of no more than 200 words for the proposed presentation that includes 3 to 5 keywords
  • For creative pieces, the medium and space requirements for the work/presentation

Panel proposals must include a proposal for the panel, a short description of each presentation, and the above information for each participant.

Send submissions and questions to utd.gsa@gmail.com. Registration information will follow. For additional information, see www.utdgsa.com.

Click here for the Call for Papers for the 2016 RAW Conference

September 18, 2015

RAW2016 CFP

RAW Program 2015

February 27, 2015

RAW PROGRAM Draft

Subject to change.

RAW 2015 – Research, Art ,Writing Call For Papers

October 16, 2014

RAW HIGH RES No Date Tspt

University of Texas at Dallas

Arts & Humanities Graduate Student Association

utd.gsa@gmail.com

March 6th and 7th, 2015

Keynote: Sophia Roosth, Assistant Professor in the History of Science at Harvard University

Theme: Public Scholarship

Submission Deadline: December 6th, 2014

 

The Arts & Humanities Graduate Student Association of the University of Texas at Dallas will hold its seventh annual RAW: Research, Art, Writing Graduate Symposium on March 6th and 7th at the UT Dallas campus in Richardson, TX. Organized by and for graduate students, RAW’s goal is to continue to expand the scope of the humanities to all those interested.

 

In its seventh year, the RAW Symposium continues to promote the humanities as a shared space for thinkers of all disciplines. Accordingly, the theme for this year’s RAW is public scholarship. Public scholarship strives to advance intellectual and creative pursuits beyond the academy and the gallery, into public spaces and conversations. Exemplary public scholarship includes the work of thinkers like Ayaan Hirsi Ali, Gore Vidal, Melissa Harris Perry, Carl Sagan, Camille Paglia, Edward Said, Doris Kearns Goodwin, and Neil deGrasse Tyson.

 

RAW welcomes papers, presentations, works of art, and performances from every discipline as long as they reflect the fundamental concerns of the humanities. We are interested in works ranging from the examination of German Romanticism through a social-sciences lens to the exploration of Star Trek from the perspective of theoretical physics.

 

Interested participants may submit 200-word abstracts for 15-minute individual presentations of papers from across the academic spectrum: art, biology, film, physics, photography, computer sciences, sculpture, environmental sciences, games, etc., as well as submissions of full panels that may include three to four individual presentations. There are no limitations on field, genre, or methodology, as long as the presentation is inclusive and demystifying and holds the humanities close to its metaphorical heart.

 

Submissions may include, but are not limited to:

  • excerpt of an M.A. paper or thesis
  • excerpt of a seminar paper
  • excerpt from a dissertation
  • animation, video, or film projects
  • excerpt from a novel, play or short story
  • M.F.A. final project
  • selection of poetry
  • dance or other performance piece
  • art work (paintings, ceramics, drawings, etc.)
  • games

Proposals are due by December 6, 2014. All proposals must include the following:

  • A complete mailing address, e-mail address, phone number, field, and affiliation of participant
  • An abstract of no more than 200 words for the proposed presentation that includes 3 to 5 keywords
  • For creative pieces: please also include medium, space requirements for the work/presentation,

Panel proposals must include the above information for each participant.

Send submissions and questions to utd.gsa@gmail.com Registration information will follow. For additional information see www.utdgsa.com.

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